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Watching Patti is a daily routine in the fashion world. People from the past Vogue Hermes Australia editor Kirstie Clements is followed by managing director Karin Upton Baker, along with designers such as Michael Lo Sordo, Adrian Norris and Gabriella Pereira. David Hallberg of the Australian Ballet is a performer, as is Lisa Havilah of the Powerhouse Theatre.
Unlike other developers, Patti is not in it for the money. She has more, as evidenced by her seemingly endless collection of dresses from Ferragamo, Bally, Balmain and Burberry.
He is also not interested in what people do: he is a professional who has established a career in law, far from the changing lights and the blindness of fashion. He also doesn’t want attention. I reached out to Patti several times for interviews, and she was unresponsive.
It’s a no-brainer to appear online: on your own terms, for your love of fashion, no agenda. That’s the way of an influencer, and someone like Patti, outside of the fashion system, has built a following of 35,000. Because she is, she is, and although we know very little about her, apart from her enduring love for fashion, that’s all we need.
In a world where clicks are everything, where brands give back the wallets they’ve given to influencers if they don’t meet their sales price, we have our thumbs up to double tap in every column we see, Patti, and her passion. in terms of style, it’s a breath of fresh air. It smells great because of her favorite scent, Chanel No. 5.
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