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You don’t have to be an MEP, APA (approved parliamentary assistant), Schuman (trainee), lobbyist or any other creature of the European Parliament ecosystem to enjoy this series of political satire. Parliament – that’s why it’s so interesting.
Designed by Noé Debré, a French screenwriter from Strasbourg, the posting of the European Union’s internal workings is informative – useful if you want to brush up on EU institutions – and very entertaining. For example, in the first episode, which takes place before Brexit is made official, a clueless Brexiteer MEP suggests solving the Irish border dispute by using a “big GPS”.
Since its debut on france.tv in 2020, the series has followed Samy Kantor, a young parliamentary assistant forced to quickly learn how to navigate the sea of virtual sharks that is the European Parliament – real sharks also appear when they are tricked into presiding. annex to the main fishing regulation.
Parliament was caught with French actor and writer Xavier Lacaille, who plays Samy in the show.
How did you go about preparing for the role?
Actors have different styles, and mine is physical and mental. As an actor, I don’t need to know the details of what parliamentary aides do. Two writers, Maxime Calligaro and Pierre Dorac, worked in Parliament, as a parliamentary assistant and a parliamentary director, respectively. They agreed to take me around Parliament for a few days before we started shooting the first season. I was looking at the way people walked and talked. That’s how I always start my work. I don’t think it’s a good thing to have a theory about playing; it’s a very inside job.
What do you think are the signature features of this series?
The international appeal of this series is one of the best aspects. Parliament it is one of the first series in Europe where you can see many actors of different nationalities working together. At the European level, countries need to work together and compromise, and that’s exactly what we had to do when we shot the series. German players, Spanish players, Italian players – they work in different ways. We had to find a common language to work together, and that language is a myth. I think it’s a kind of metaphor for European politics.
In the second season, we see that Samy has become a shark himself, but this does not lead to any real conflict with the other main characters. Will this change continue until conflict breaks out?
Well, that’s a tough question. I’m not sure if I can answer it because it might be a spoiler for the next season. Let’s just say the stakes will be higher, and we might see more conflict in season three than we did in season two.
The show is highly critical of MEPs and the European Parliament in general. Has there been any negative feedback?
When you create something new there is always positive and negative feedback. Of course, there are bad ideas, but most people understand that everything is exaggerated, including the minds of the characters, because it is pure comedy. You can tell from the start that it won’t be too difficult. Parliament it is not a false statement A house of cards. This image is neither proselytizing nor overly critical; it’s somewhere in between. We must always believe that the audience is intelligent and [we should] try to raise an argument. Comedy is a hand extended to the audience, and it has to be bold to make people laugh.
What character would you like to play if you weren’t Samy the Shark?
I would really enjoy playing Guido, the Italian lobbyist. His character is very difficult; there are too many layers to work with. You can never tell for sure whether you are being honest or a fraud. With Guido, you never know which foot you’re on.
Readers who don’t know these characters are missing out – it’s time to watch Season 1 and Season 2. Xavier – good luck filming Season 3 on behalf of those of us who are already obsessed with the show.
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