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Mandy Patinkin will be 70 in two days.
It was he who played Gideon, the first leader of the FBI’s BAU, the Behavioral Analysis Unit, the place where all the best profiles came together to stop all these serial killers out there.
The TV show where Patinkin did this was called “Criminal Minds.” It was a disaster from its premiere in 2005.
Patinkin, however, quit the series cold, the way he quit “Chicago Hope.” This time is different. He eventually gave an interview to New York magazine where he bluntly declared “the biggest mistake I ever made was that I chose to do ‘Criminal Minds’ in the first place… I didn’t think they were going to kill and rape all those women every day, week after week, year after year. It was devastating. very much my soul and my personality.
I understand his problem. I watched the show in its first episode. The rising profile of American crime fiction caught my attention from the beginning with Michael Mann’s “Manhunter,” his movie based on the “Red Dragon” novel by Thomas Harris. THE IDEA OF OUR TIME. Harris gave us profiles (“Profile,” etc., on television and “Silence of the Lambs”) and, before that, the legend of the apocalyptic attack that he launched with his novel “Black Sunday” about the shooting that attacked Super. Dish.
Although I’ve always been part of the audience for “Criminal Minds,” I’m not always happy about it. I am a fan of fairy tales and have been since I was young. I used to go to the North Park Theater and enjoyed Edmond O’Brien’s double crimes like “DOA” – where the hero enters the police headquarters to report his impending murder – and “Shield for Murder” – where a series of murders. done by a corrupt police officer.
“Criminal Minds” is a place where television profiles come together with a combination of “noir” and horror fiction. I’ve always admired the twisted magic of writers’ thoughts and at the same time I was moved to shake my head after seeing them mutter to myself “the man was one sick job.”
Yes, “Criminal Minds” is back. You can’t keep the sick show down. It’s now called “Criminal Minds: Evolution” and it started, yes, on Thanksgiving night. The second episode can be seen streaming on Paramount. What can be called “Mandy’s problem” and the show is now included in the show itself: The main ongoing plot is about the character who successfully passed the BAU life teaching children to make buttered cakes and organizing dance extravaganzas. Come closer.
That, as I’m sure viewers have guessed, will be Penelope, a computer expert whose sunny personality often clashes with the negative and compelling information that has brought the BAU closer to the dregs of society.
The new “CM” is about getting the BAU team back together to track down the sickest puppies the show’s writers can find or invent. Penelope is the rarest of them. But he’s at the center of a new “CMs” picture of the problems gamers have with being in it. His new on-air way to end all the darkness is to rap while doing research and contributing.
The presence of this show is almost a mess. Patinkin’s private grief and dark poverty was the first public manifestation. But soon, the weight of Thomas Gibson’s character in the play proved too much to bear. As the star/director of one episode, he kicked the episode’s writer in the shins. It was said, he had other problems. I’ve always felt that a good television show could be made about putting a television show like “Criminal Minds” on the air.
Try to imagine, what it must be like to show work and read the latest scripts from writers. There’s no doubt in my mind that there was dark humor in their weekly questions of “how crazy can we be?” A little-known fact about this show is that Stephanie Birkitt, who used to be very happy on the air with David Letterman as her smart staff – and was embarrassed on the air when Letterman admitted on the air that his relationship with her. it caused him to be mistreated – he worked for some time as a writer in “CM” and a story editor.
You can, with a little effort, see the plans of “Criminal Minds” as a kind of many episodes of “Aristocrats” which are funny for those who insist that Gothic things are available, the funnier.
But it always seemed to me that you had to feel for the players who lived in it, no matter how comfortable their lives were.
As it is, one of the famous actors of the show – Matthew Gray Gubler – refused to be in the “Criminal Minds” that just “appeared”.
While Kirsten Vangsness pretends to be the most unhappy job of the BAU – in the show, she really hated the job of the BAU – its post-Patinkin star is Joe Mantegna and, thus, hangs another interesting story about the return of “CM’s”.
Mantegna is now 75 years old. And you look at it in the new “CM”. His gray hair is unkempt and his beard is white. He dresses like a retired old man who hangs out in his basement and doesn’t care who sees him.
In the new show, he is still reeling from the recent death of his wife.
Don’t look now but let me introduce you to the most interesting development that the show’s return has revealed.
We have something new all over America.
Let’s call it Restoration Culture. Savings has become the newest algorithm in the online world. The culture of cancellation is declining.
The newest generation that stands out is the most formidable Legacy generation. America has become a bit of a septocracy. Our presidents are almost 70 years old now. Geezers and semi-geezers have turned their backs on leadership because of their perceived wisdom – or their imitation.
Mantegna is the star of this. Sam Waterston, 82, revived “Law and Order.” Will Petersen, at 69, was in the “CSI” revival. Kevin Costner and Sylvester Stallone are riding high on the small screen.
Paget Brewster, in “CM,” has a gray spot in her hair to remind viewers she’s in her early 50s.
And then there’s Patinkin, about 70.
I can’t wait to see what Patinkin, the star of Legacy, will bring back to TV’s Return Season.
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