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Early on in the first episode, and months after Bambi and Prince survive the mission in Afghanistan, Amber is kidnapped in Colombia. He’s captured by radicals while doing scientific research on alkaloids, and the military-grade tracking device Prince has sewn into his backpack makes them suspect he’s a bugger. Because she is an American woman – and the daughter of a rich arms dealer (Bradley Whitford) – the CIA, the White House, the Colombian government, and the media are involved. But with all their experience and killing between them, Bambi and Prince fly there ready to take him on themselves at the beginning of the second episode. They are ready to do anything, and they roll into the US Embassy as if answering the call. The two are given access to behind-the-scenes operations, including how the Colombian military heavily guarding the Bogotá compound is now holding Amber, but it’s not enough. Bambi and Prince load up and try to fix it themselves, and it doesn’t go as planned. And yet it is exciting to see it happen, not only in the movie that immerses us in the crowded corridors of the city following the attack of two people counted in the army, or the mixing of angry sound interrupted only by the shooting, but because it proves. to make matters worse.
“Echo 3” is adapted from the series “Where the Heroes Fly” and directed by Pablo Trapero, Claudia Llosa (Peruvian star who directed the country’s first Oscar-nominated film in 2009) and Boal, and offers fast; The mess that gets in the way of trying to save Amber becomes interesting in its drama. Meanwhile, “Echo 3” keeps us on our toes by firmly treating Bambi, the Prince, and Amber as outsiders unlike many other pieces of the game that have remained rigid.
This is not a “Taken” or “Commando” way of making a story, it refers to many Hollywood stories about how to kill skills and fire that can solve a human problem and blow up any political issues. It’s not easy if this is the human version, which makes it all the more painful and all the more exciting. The plot creates a deeper sense of this by establishing a rich sense of political turmoil in the story, with the politicians’ hands tied behind their backs at some point. And this sense is established by the way of its narrative that values the atmosphere and the expression of emotions – the violence and drama in “Echo 3” feels different thanks to the way its editing will cut a shot or a conversation with natural light, like a bug on a leaf, or images of childhood trauma that a brother and sister share with it. “Echo 3” creates a place for fun, great moments that drive the story forward, but also makes one aware of the obstacles that everyone on screen faces.
“Echo 3” creates a sound of uneasiness that its main sequences become harder and harder. The arrest mission in the first episode, which features Bambi, the Prince, and their gang dropping into a Taliban base in Afghanistan and doing some military stunts, is just the beginning. It is a big mistake. If you thought this show was heavy, wait until the end of episode three (directed with stunning precision by Llosa) or the compelling, character-driven development in episode five (directed by Boal). As the story can change its character and sometimes take its time, it still has a conflict that makes someone’s desperate action more powerful than a shootout.
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